Carrie Mae Weems: Three Decades of Photography and Video

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https://www.guggenheim.org/exhibition/carrie-mae-weems-three-decades-of-photography-and-video

Child Brides Learn To Take Portraits Of Each Other — And Gain Insights Into Their Lives : NPR

Child Brides Learn To Take Portraits Of Each Other — And Gain Insights Into Their Lives : NPR

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NYTimes: Marian Goodman, Art’s Quiet Matriarch, Hopes the Market Cools

Marian Goodman, Art’s Quiet Matriarch, Hopes the Market Cools http://nyti.ms/2hOOysu

Why Making It A Mandate To Hire More Women In Front Of And Behind The Camera Benefits Everyone

Why Making It A Mandate To Hire More Women In Front Of And Behind The Camera Benefits Everyone

A Life Revealed

A Life Revealed

“The young Afghan refugee who stared from the cover of National Geographic in June 1985 was an enigma for 17 years. What was her name? Had she survived? Photographer Steve McCurry joined a crew from National Geographic Television & Film to methodically search for her. They showed her photograph around the refugee camp in Pakistan where McCurry had encountered her as a schoolgirl in December 1984. Finally, after some false leads, a man who had also lived in the camp as a child recognized her. Yes, she was alive. She had left the camp many years before and was living in the mountainous Tora Bora region of Afghanistan. He said he could find her, and three days later he and a friend brought her back to the camp. There, the remarkable story of this woman, Sharbat Gula, began to be told.”

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Cindy Sherman Releases First New Work in 5 Years

Cindy Sherman Releases First New Work in 5 Years

 

Groundbreaking Photographer Carrie Mae Weems Wins the 2016 National Artist Award

Groundbreaking Photographer Carrie Mae Weems Wins the 2016 National Artist Award

Jenny Lewis: One Day Young | British Journal of Photography

Jenny Lewis: One Day Young

10 Female Dadaists You Should Know | Flavorwire

10 Female Dadaists You Should Know

 

Delivering Life: New Mothers in the World’s Poorest Country

Delivering Life: New Mothers in the World’s Poorest Country | British Journal of Photography