Article: Photojournalist Susan Meiselas: How to be in the right place at the right time

Photojournalist Susan Meiselas: How to be in the right place at the right time https://flip.it/d85–s

Steve McCurry: The Complications of Photography – WhoWhatWhy

Steve McCurry: The Complications of Photography – WhoWhatWhy

Check out “Long Exposures are Cool, Right? These 11 Photographers Think So!” on Flipboard

Long Exposures are Cool, Right? These 11 Photographers Think So! https://flipboard.com/@phoblographer/long-exposures-are-cool-right-these-11-photographers-think-so-9bjnhbodljoa8d5j?from=share&utm_source=flipboard&utm_medium=share

Poignant Photos of 1990s Teenagers in Their Bedrooms

Poignant Photos of 1990s Teenagers in Their Bedrooms

Queens Hit ‘Top To Bottom’ By New Mural Project In L.I.C.

Queens Hit ‘Top To Bottom’ By New Mural Project In L.I.C.

“The spirit of New Yorks’ 5 Pointz graffiti/street art holy place has popped up in the same Queens neighborhood where it was demolished in 2014, and since last summer more than 50 local and international aerosol artists have been hitting a new project “Top to Bottom“.”

BAFTA portraits of the British film industry’s unsung talent

BAFTA portraits of the British film industry’s unsung talent | British Journal of Photography

The New York Times A State of Mind

The New York Times A State of Mind

This Dog Has Explored More Abandoned Places Than You

This Dog Has Explored More Abandoned Places Than You 

The New York Public Library just uploaded nearly 200,000 images you can use for free

The New York Public Library just uploaded nearly 200,000 images you can use for free!

Garry Winogrand: Five lessons from a master of photography

Garry Winogrand: Five lessons from a master of photography 

“Few photographers have lived and breathed their art with the singular devotion of Garry Winogrand. In a career spanning four decades, the Brooklyn native stalked the New York pavement with a Leica camera and a wide-angle lens, capturing New Yorkers at intimate quarters. His pictures capture fragments of ordinary life in an America poised between confidence and crisis: laughter in the sun of a summer street, the tang of menace from a bandaged figure in a convertible, moments of unexpected surrealism on an afternoon in the city zoo.”

ST1998.0589.10_01_b01, 4/6/09, 2:57 PM, 8C, 7500x10000 (0+0), 125%, Custom, 1/60 s, R111.4, G85.3, B96.3

El Morocco, New York, 1955 (Fraenkel Gallery, San Francisco)

ST1998.0589.11_01_b01, 4/6/09, 3:39 PM, 8C, 7214x9979 (270+0), 125%, Custom, 1/60 s, R111.3, G85.4, B96.2