Artist Escapes Lawsuit Over Her Use of Iconic Ruth Bader Ginsberg Photo https://flip.it/GGMo.e
Category Archives: appropriation
Article: Photographers Reveal How to Fake Influencer Travel Photos with a TV
Photographers Reveal How to Fake Influencer Travel Photos with a TV https://flip.it/yTCeDf
Article: The photographer recreating 19th Century portraits in a shopping centre
The photographer recreating 19th Century portraits in a shopping centre https://flip.it/eFQIFq
Article: How Conservatives Weaponized Photographs in the Campaign against Abortion
How Conservatives Weaponized Photographs in the Campaign against Abortion https://flip.it/h3TKlk
Portraits & Power
Why a Vogue Cover Created an Uproar Over Kamala Harris
“How can portraits convey authority? For thousands of years, rulers and would-be rulers have used portraits to assert their legitimacy, proclaim their power, and solidify their authority. Portraits could be especially important for a sovereign whose actual right to rule was questionable or contested.” – Art Through Time: A Global View

- Political portraits in the media age
- FASHION IS POLITICAL
- CLOTHING AS GESTURE POLITICS
- Art and Social Justice: What is a Portrait? – Lesson for young students
- Images of Power: Art as an Historiographic Tool
- Symbols of Power
- Body Language in Photography
- Tate PORTRAIT
- Portrait Photography’s Power Posing Part I: The Components
- Portraits of Power
- Power Portrayed
- The Power to Look – Lesson from Khanacademy
Steve McCurry: The Complications of Photography – WhoWhatWhy
A Life Revealed
“The young Afghan refugee who stared from the cover of National Geographic in June 1985 was an enigma for 17 years. What was her name? Had she survived? Photographer Steve McCurry joined a crew from National Geographic Television & Film to methodically search for her. They showed her photograph around the refugee camp in Pakistan where McCurry had encountered her as a schoolgirl in December 1984. Finally, after some false leads, a man who had also lived in the camp as a child recognized her. Yes, she was alive. She had left the camp many years before and was living in the mountainous Tora Bora region of Afghanistan. He said he could find her, and three days later he and a friend brought her back to the camp. There, the remarkable story of this woman, Sharbat Gula, began to be told.”
Past and Present Collide in Magical Exploration of Paris
Iconic Filmmakers’ Birthdays Celebrated in Offbeat Photos
Swiping a Priceless Antiquity … With a Scanner and a 3-D Printer
Swiping a Priceless Antiquity … With a Scanner and a 3-D Printer
When artists share the scanned data from a priceless statue so others can reproduce the item, what are the social, economic, legal and cultural ramifications? Does this change the value society places on antiquities? Share your thoughts after reading the article.
museumshack video of artist scanning bust at musuem